Archive for the ‘television’ Category

SPOILER ALERT: Readers are strongly encouraged to view the entirety of the television series LOST prior to reading posts in the LOST Series. Information about the characters and storyline of the show may be revealed.

The writers of LOST are masters of at least one thing: Storytelling. The art of storytelling has been tainted throughout the years particularly by the film industry. I have yet to read a book and then watch the film version and think that the film is better. I would be interested in reading and viewing any work where you might suggest a film format as superior to the original written text [I am anticipating that at least one person (those who come to mind shall remain nameless) is wanting to comment that "The Passion of the Christ" is better than the King James authorized version of the Bible; nonetheless feel free to comment]. Though LOST was not originally a written piece transferred to a television script, I think the example of film is consistent and the show captured even more than what a book could have contained.

I specifically enjoyed the metanarrative countered and accented by the subplots of individual characters’ stories. Multiple things occurred both at the same time and at quite different times (literally). I’ll address the “flash-sideways” scenes later. The essence of the storytelling allowed the audience to be invited into the lives of the characters but but subsequently maintained a sense of mystery. The viewer never knows everything about every character. We are left with many questions. In fact, the season finale reveals characters who apparently leave the island. The audience never knows what happens to them between their departure and their deaths. We are left wondering, “What happens in their stories? How do they write their stories from this point on?”

The question is one we need to ask ourselves and ask each other, “How do you write your story from this point on?”

As I was consuming the masterful television/literary hybrid finale of Carlton Cuse and Damon Lindelof, I checked my phone for incoming text messages and updates from Twitter. One “tweet” read, “T-minus 30 minutes until #LOST is over forever.” I quickly responded, “False: it will live on.” The television series was much more than… well… a television series. Its powerful and essential themes were captured by the magical character development and acting genius of those like Naveen Andrews, Michael Emerson, and Terry O’Quinn.

Not only will the messages, themes, and characters of LOST remain in viewers’ hearts and minds but I anticipates a prequel. A sequel would be too much. I’ll explain this is a later post entitled, “LOST: How do you write your story?” However, the period pieces were so mysterious and broad that a contextual back-story could be masterful. The characters Jacob, his nameless brother, and Richard could all be developed further with others who existed in the ancient era. The character of the island (and its/his/her attributes could also be further mystified and/or deified.

More posts in the LOST series to be published daily.

Do you ever find yourself thinking about how lost you are?

Maybe you recognize intellectually that there are some things we just can’t know. Maybe you hear someone talking about religious things and think to yourself… “Whaaaaat?” Maybe you feel like the things you do directly contradict your identity. Maybe you don’t know which way to turn next – if there is a right way, right?

For me, I recognize seasons in life when I stop just long enough to reflect on who I am and rediscover the real me – my identity. I realize that there are many things that are contributing to possessing a sense of being lost.

Sarah and I have been watching all the seasons of the television series LOST. I was hoping or am just now at least recognizing that I should have blogged as we watched. We have been so consumed by continuing to view more episodes that I have not had nearly adequate time to process all my thoughts in writing. I was able to predict relatively early in the show’s narrative that there is an element of shifting and moving through the quite fluid spacial and chronological dimensions of reality. The questions for the characters continue to be not only, “Where are we?” but also, “When are we?” and “Who are we?” I find myself empathizing with the characters’ understanding that being stranded on an island is not the greatest of problems compared to being internally lost and in need of searching to find ourselves. We are enslaved to realities that are that alter perception and skew a clear vision of self-discovery.

How can I avoid season after season after season of sensing a continuous state of being lost? How do I sift through all the competing voices that suggest how I should speak and act? How do I rediscover who I am?

A designer.
A mourner.
A creator.
A questioner.
A lover.
A thinker.
A writer.
A consumer.
A teacher.
A failure.
A mentor.
A peacemaker.

A human.
Intricately created to be who I am.

A final season of LOST may provide some plot and character closure but we, the viewer – the real subject of the narrative, continue struggling, season after season, to accept that we once were lost but may be found – by ourselves.

Found.
As is.
As me.

Are you lost?

May the creative and artistic expressions in dance be considered worship? Does dance possess the same type of depth of meaning as other forms of creative production such as music and film?

What’s the saying?… “Dance like nobody is watching?” Or should it be… dance like everyone is watching and allow the lyrical flow of human movement to express the soul and texture of humanity in touch with the divine.

The most meaningful pieces of human struggle, tragedy, creativity, and beauty from So You Think You Can Dance?:

1) The Interplay of Creation: Hok and Jaime as a hummingbird and flower to The Chairman’s Walk from the Memoirs of a Geisha soundtrack.

2) On Confession and Forgiveness: Anya and Danny performing to Apologize by One Republic.

3) Time: Neil and Lacey dance as father and daughter to an emotionally invested Mia Michaels routine. Music by Billy Porter.

4) Commitment and Brokenness: Danced to Bleeding Love by Leona Lewis, Mark’s character commits his life to something other than the bleeding Chelsea.

5) Marriage at Bedtime: Jeanine and Phillip wrestle through anger to Mad by Ne-Yo.

6) Addiction and Freedom: Kayla is controlled by the sinister addiction (Kupono) danced to Gravity by Sara Bareilles.

I would like to have a new LCD flat screen. I hope you didn’t read my post (or… if you haven’t maybe you should): "Where have all the television’s gone? "

Why?

Why do I keep eying new televisions? Do I NEED one? Am I addicted to cultural norms? Do I want to impress people? Do I enjoy wasting time watching movies? Am I staying connected with culture? Have I found value in the conversations that birth from viewing a quality film such as Shawshank Redemption, A Beautiful Mind, or The Dark Knight? Do I place too much value on visual stimulation? Am I addicted at any level to screen viewership? Is my desire good? Does possession of a flat screen sustain life? Am I just another American consumer? Are my desires natural? Do my desires contradict those that represent the reality of the Kingdom of God?

Please help me sort this out.

Has anyone attempted to buy a "box" television from a store recently? I hope not. If you have you would have found yourself to be greatly disappointed in the selection of these now archaic entertainment devices. Where have all the televisions gone? They have disappeared – stricken from the market unless one is buying a used product through ebay or craigslist or at a local garage/yard sale.

This holiday season the plasma/LCD flat screen television appears to be one of the most highly marketed products targeted toward the average consumer. And why shouldn’t it be? Americans are wasting hours and hours of their lives everyday consuming images and propaganda without much consideration of the quality of information consumed and the quantity of time spent disassociating from human to human interaction. So if such behavior is going to be the culturally and sociologically imposed norm then why not do it in high style? Shouldn’t we all use our hard earned money to get the highest 1080p clarity on a 3.5" deep 52" HDTV with 3 HDMI inputs, 2 component video inputs, 3 composite inputs, 10,000:1 dynamic contrast ratio, and a partridge in a pear tree? Afterall, it’s not as if there are people in our world who could benefit from our research, technology, and resources in order to provide food, basic medical care, and clean water. Plus, it’s much more comfortable to zone out in front of a screen rather than enter into a meaningful and self-disclosing conversation with another human being. And who wants to spend time interacting with their family anyway?

Where have all the televisions gone? No where. The old, heavy box version has simply been replaced with a cleaner, brighter, sleeker version, increasing and enabling addictions to biased and unintelligent "news" sources, the distorted, sexualized lives of "celebrities," life-destroying gaming systems, and individualization.

Tis the the season.

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"Do I feel bad about betraying Jim? Not at all. That was the game-convince him we’re in an ‘alliance’ together, use him for info, then toss him to the wolves… It’s called politics, baby. It’s about getting what you can out of people and then destroying them."

Dwight Schrute
Assistant TO the Regional Manager
Dunder Mifflin, Scranton Branch

Politics: It’s about getting what you can out of people and then destroying them. It seems as though the writers of The Office have been paying close attention to recent foreign policy decisions. Since the "church" by and large has dropped the proverbial ball on caring for people, the government has implemented tax funded initiatives such as Social Security and welfare. Could it be that under our current systems of political functionality that the church must operate in cooperation with the government to care for people? If "followers of Jesus" don’t take care of the poor then should one be in favor of higher taxes so that said provision may be allocated by legislators? How should a follower of Jesus actively engage the public square so that money taken from people may be used in a life-giving manner rather than for destruction of a "lower class" or "other nation" (emphasis on quotation marks to distinguish language that represents something that doesn’t really exist)?

American Gladiators was one of my favorite shows on Saturday mornings when I was a child. Nitro, Viper, Storm, Electra, and others took on the “contenders” in a series of physically challenging competitions. Though I am a reader of Henri Nouwen, who does not advocate competition, I must appeal to the game-like, simulated-competition entertainment that is the returning American Gladiators. The show returns to NBC on January 6 with a special program this Wednesday evening. I’m sure I will have some upcoming posts comparing and/or contrasting the television show to real gladiator battles about which we read in history books or watch in cinematographically enhanced films starring Russell Crowe. Alas, I have my calendar marked for some American Gladiator viewage.